May 5th is Children’s Day, also known as Tango-no Sekku, a day to celebrate and pray for the healthy growth of boys.

Looking back, this song may have had an influence, but in the Showa era it was customary for siblings to measure their height against each other and mark it on a pillar on May 5th. Nowadays, with an increasing number of people living in rental housing, marking pillars and causing damage would likely result in anger from the parents. Such changes in the times can be felt in these aspects as well.

The line in the first verse, “Finally as tall as the string of a haori”, is said to represent the younger brother’s perspective, who had grown up to the height of the string that fastens the coat of his older brother, who had dressed up in formal attire to celebrate Tango no Sekku. In the second verse, the view of Mount Fuji from inside the house is depicted, which is likely the scenery from UNNO Atsushi’s hometown in Suruga, Shizuoka Prefecture. The mountains that compete with each other in height may be referring to the Southern Alps mountain range. Houses where one can enjoy such long views are now likely limited to the upper floors of high-rise apartments.

By the way, the “chimaki” that his older brother is measuring his height while eating is often imagined in eastern Japan as a steamed dish made with seasoned meat, bamboo shoots, and glutinous rice wrapped in bamboo leaves or other materials. In western Japan, it is more common to refer to a Japanese confection wrapped in bamboo leaves and filled with sweet dumplings. The lyricist, UNNO Atsushi, is from Shizuoka Prefecture in central Japan, which is located on the border between eastern and western Japan. So, I wonder which one he was referring to.
However, it seems that the “chimaki” eaten on Tango-no Sekku often refers to the sweet Japanese confection pictured.

100 Best Japanese Songs

The Tea-Picking Season Heralding Early Summer

“Cha-tsumi” is a famous Japanese song that depicts the season from late spring to early summer. The “tea” mentioned in the song refers to Japanese tea. Japan’s representative “green tea” is an unfermented tea that doesn’t undergo fermentation, which has the benefit of preserving the natural freshness and nutrients of the tea leaves while retaining abundant antioxidants. In contrast, “Oolong tea” is semi-fermented, and “black tea” is fully fermented, all made from leaves of the same “tea plant.” These young leaves plucked from tea plants transform into our familiar beverages through various processing methods.

Qwert1234 – Qwert1234’s file, パブリック・ドメイン, リンクによる

The Significance of “Hachijyu Hachiya” and Agricultural Culture

The “Hachijyu hachiya (Eighty-Eighth Night)” sung in this song refers to the 88th day after “Risshun” (Beginning of Spring), one of the twenty-four solar terms, when the weather stabilizes, making it easier for tea picking. This important agricultural milestone, usually falling around May 2nd each year, signals the full-fledged beginning of farming activities. During this period, there is a risk of late frost called “Osojimo” occurring from chilly nights to dawn, potentially damaging crops. Despite this frost risk, tea picking is conducted during this time because the new buds contain the richest umami components and nutrients like catechins, producing aromatic high-quality tea leaves. Moreover, this “first flush” tea harvested during this period is particularly valuable and serves as a crucial source of income for tea farmers. A few days after Hachijyu hachiya comes “Rikka” (around May 6th), the beginning of summer according to the calendar. The song gently conveys the arrival of an extremely busy season for farmers.

painted by 長谷川等伯, calligraphy by 春屋宗園 – 1. Brill.com [1], 2. Omotesenke.com [2] , Omotesenke Fushin’an Foundation, パブリック・ドメイン, リンクによる

Tea Culture and Its Historical Development

The culture of enjoying tea has a long history, dating back to the reign of Emperor Shoumu in 729 AD, as recorded in ancient texts. Initially, it spread widely among the warrior class and became material for feasts. However, the concept of “Wabi-cha,” which sought simplicity and the spirit of Zen, emerged, leading to the spread of “Cha-no-yu” by figures like Sen no Rikyu. This tradition has been passed down to modern times as “Sa-do” (the Way of Tea).
In Sa-do, Matcha—now popularly used in chocolates and ice cream—is served as ground tea leaves. On the other hand, Sencha, which uses whole leaves without grinding, is commonly sold even in PET bottles. Naturally, the price varies greatly depending on the quality of the leaves and processing methods. Japanese tea culture has thus evolved with the times while maintaining its essential values.

不明 – “Letters from Japan” by Mrs. Hugh Fraser, New York, The Macmillan company; London, Macmillan & co., ltd.. 1904, パブリック・ドメイン, リンクによる

Origins and Spread of the Tea-Picking Song

According to one theory, this song is said to have roots in Uji City, Kyoto Prefecture, and the parts enclosed in quotation marks are considered citations from tea-picking songs sung there since ancient times. However, even after research by local historians, there is still no evidence to support this claim. Since tea harvesting requires intensive labor, there have always been migrant workers known as “Chatsumi musume” (tea-picking girls). As the timing of harvesting varies from region to region, it’s also speculated that the song spread gradually as workers moved from early harvesting areas to later ones.
This song is also known for its rhythmic nature, often accompanied by hand movements, and enjoyed in places like kindergartens and elderly care facilities. Its simple yet pleasant rhythm has become an important cultural asset that remains in the hearts of Japanese people across generations.

Tea-Producing Regions Throughout Japan

While Shizuoka Prefecture is famous as a tea-producing region, places like Yame in Fukuoka Prefecture, Chiran in Kagoshima Prefecture, and Sayama near Tokyo in Saitama Prefecture are also well-known. The soil and climate conditions of each region produce teas with distinctive flavors. In modern times, these traditional tea-producing areas have also gained attention as tourist destinations, with increasing numbers of visitors enjoying tea-picking experiences and the scenic beauty of tea fields. Japanese tea has transcended being merely a beverage to become a symbol embodying Japan’s natural features and culture.

100 Best Japanese Songs.

This is the third most famous tea plantation in Japan, closest to Tokyo.

Baby with koinobori

In Japan, on Children’s Day, May 5, it is customary to decorate the eaves of houses with boys with carp streamers.

Although the name is “Children’s Day,” March 3, when peach blossoms bloom, celebrates “Momo-no Sekku” for girls, so it is said that May of the lunar calendar, which is the noon month of the twelve Chinese zodiac signs, became “Tango-no Sekku,” an event to celebrate boys’ growth.

Originally, “banners,” a type of flag, were erected, but in the Edo period (1603-1867), merchants began to display carp-shaped banners based on a Chinese legend that “a carp that climbs a waterfall becomes a dragon,” and this event is said to have become popular.

By from Portland, Oregon, EE UU – Boy’s Festival – Fish Kites, CC BY 2.0, Link

Initially, only black carp were used, but red scarlet carp were added to represent children. Later, the red carp came to represent the mother carp, the blue carp was added to represent the children’s carp, and for the first Tokyo Olympic Game in 1964, the green and yellow and other sibling carp were also created.

Today, however, with the increase in the number of high-rise houses, the sight of carp dancing in the blue sky has become less common in large cities such as Tokyo, but in the countryside, the custom of decorating carp streamers of various kinds remains, delighting the eyes of tourists.

koinobori at Tsuruudagawa (Gunma Pref.)

100 Best Japanese Songs

▼Another ‘Koinobori’ song.

Koinobori / irakanonamito (1913) - 鯉のぼり

"Iraka no nami to kumo no nami" Discover good old-fashioned Japan through lyrics and images: Roman readings, English translations, and reflections. Take a cultural journey through the melodies of "Doyo Shoka" (Children's Songs).

douyo-shouka.com

2025.05.02

Around late spring to early summer, May 5th is “Children’s Day” in Japan.

In contrast to “Momo-no Sekku” held on March 3rd for girls, a ceremony celebrating the growth of boys is conducted nationwide as “Tango-no Sekku.”

A carp climbs a waterfall and becomes a dragon

Inspired by the Chinese tale of “Carp Climbing the Dragon’s Gate,” where a carp that successfully ascends 100 waterfalls transforms into a dragon, carp streamers are erected on the eaves of houses with boys, symbolizing the wish for boys to grow into admirable men by overcoming hardships. Inside the house, decorations such as helmets and armor are displayed, and it’s customary for boys to bathe in water adorned with iris leaves resembling swords, called “shoubu,” a homonym for “victory.”

Tango no sekku

These lyrics were written over a century ago during the early Taisho period as a Ministry of Education song (meaning they were anonymous). Therefore, the authorship of both lyrics and music remained unknown for a long time. It wasn’t until later when HIROTA Ryuutarou reportedly told SATOU Hachirou, “I composed this song,” that it became attributed to HIROTA Ryuutarou.

While the language may be somewhat archaic for children, as adults celebrating their own children, one truly comes to appreciate the dignified, brave, and wonderful nature of this song.

▼Another ‘Koinobori’ song.

Koinobori / Yaneyoritakai (1931) - こいのぼり

"yaneyori takai koinobori" Discover good old-fashioned Japan through lyrics and images: Roman readings, English translations, and reflections. Take a cultural journey through the melodies of "Doyo Shoka" (Children's Songs).

douyo-shouka.com

2025.05.02