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	<title>あめふりおつきさん | Nostalgic Japanese Songs</title>
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	<description>Furusato Melodies: Revisiting Japan&#039;s Heartland through Cherished Classroom Songs</description>
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		<title>Amefuri otsukisan ( 1925 ) &#8211; 雨降りお月さん</title>
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		<dc:creator><![CDATA[J.Utasuky]]></dc:creator>
		<pubDate>Wed, 24 Jul 2019 19:07:49 +0000</pubDate>
				<category><![CDATA[Early Summer Songs]]></category>
		<category><![CDATA[Summer]]></category>
		<category><![CDATA[あめふりおつきさん]]></category>
		<category><![CDATA[NOGUCHI Ujyou]]></category>
		<category><![CDATA[100 Best Japanese Songs]]></category>
		<category><![CDATA[NAKAYAMA_Shimpei]]></category>
		<category><![CDATA[About 2.5 hours by train from Tokyo Station]]></category>
		<category><![CDATA[Taisho period(late)]]></category>
		<category><![CDATA[slow tempo]]></category>
		<category><![CDATA[Lyric poem]]></category>
		<category><![CDATA[Ibaraki_pref]]></category>
		<category><![CDATA[雨降りお月さん]]></category>
		<guid isPermaLink="false">https://douyo-shouka.com/?p=13</guid>

					<description><![CDATA[Amefuri otsukisan Amefuri otsukisan kumo no kage Oyome ni yuku tokya dare to yuku Hitori de karakasa sashite y [&#8230;]]]></description>
										<content:encoded><![CDATA[<div class="responsive-iframe-container"><iframe title="YouTube video player" src="https://www.youtube.com/embed/mZUY3m9j2AQ" frameborder="0" allowfullscreen="allowfullscreen"></iframe></div>
<blockquote><p><strong>Amefuri otsukisan</strong></p>
<p>Amefuri otsukisan kumo no kage<br />
Oyome ni yuku tokya dare to yuku<br />
Hitori de karakasa sashite yuku<br />
Karakasa nai tokya dare to yuku<br />
Shara shara shan shan suzu tsuketa<br />
Ouma ni yurarete yurete yuku</p>
<p>Isoganya oumayo yoga akeyo<br />
Tazuna no shitakara choi to mitarya<br />
Osode de okao wo kakushi teru<br />
Osode wa nurete mo hosha kawaku<br />
Amefuri otsukisan kumo no kage<br />
Ouma ni yurarete yurete yuku</p>
<p style="text-align: right;">Lyricist：<a href="https://douyo-shouka.com/noguchi-ujyou/">NOGUCHI Ujyou</a><br />
Composer：NAKAYAMA Shimpei<br />
in 1925</p>
</blockquote>
<p><strong><em>Moon on a rainy day</em></strong></p>
<p><em>It&#8217;s raining and the moon is hiding in the shadow of the cloud</em><br />
<em>Who do you go with when you are married?</em><br />
<em>I will hold an umbrella by myself alone</em><br />
<em>Who do you go with when there is no umbrella?</em><br />
<em>A bell ringing with sharashala shanshan</em><br />
<em>I am swayed by such a horse</em></p>
<p><em>Horse, dawn, the night is over</em><br />
<em>I looked a little under the reins</em><br />
<em>Then She is hiding her face with her sleeves</em><br />
<em>Even if the sleeve gets wet, it will dry if it is held up to the sun</em><br />
<em>It rains and the moon is still a shadow of clouds</em><br />
<em>I am swayed by such a horse</em></p>
<p>&nbsp;</p>
<div class="speech-wrap sb-id-11 sbs-stn sbp-l sbis-cb cf">
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<figure class="speech-icon"><img decoding="async" class="speech-icon-image" src="https://douyo-shouka.com/wp-content/uploads/2023/12/histric-prof2.jpg" alt="utasuky" /></figure>
<div class="speech-name">utasuky</div>
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  <div id="toc" class="toc tnt-number toc-center tnt-number border-element"><input type="checkbox" class="toc-checkbox" id="toc-checkbox-2" checked><label class="toc-title" for="toc-checkbox-2">Table of Contents</label>
    <div class="toc-content">
    <ol class="toc-list open"><li><a href="#toc1" tabindex="0">Amefuri Otsukisan &#8212; What Makes Japan&#8217;s Rainy Season So Special?</a></li><li><a href="#toc2" tabindex="0">Why Does She Journey Alone on This Rainy Night?</a></li><li><a href="#toc3" tabindex="0">How Did Marriage Work in Old Japan?</a></li><li><a href="#toc4" tabindex="0">How Did Two Songs Become One Masterpiece?</a></li></ol>
    </div>
  </div>

<h2><span id="toc1">Amefuri Otsukisan &#8212; What Makes Japan&#8217;s Rainy Season So Special?</span></h2>
<p>&#8220;Amefuri Otsukisan&#8221; perfectly captures the essence of Japan&#8217;s unique rainy season called &#8220;Tsuyu&#8221; (梅雨) or &#8220;Baiu&#8221; (梅雨)—both readings refer to the same phenomenon that occurs from June to early July. This is Japan&#8217;s wettest time of year, marking the beginning of the hot and humid summer that defines the country&#8217;s climate. Unlike sudden downpours in other regions, Tsuyu brings prolonged, gentle rains that seem to envelope the entire landscape in a misty, dreamlike atmosphere.</p>
<p>&nbsp;</p>
<p>The song&#8217;s haunting melody and evocative imagery transport listeners directly into this season of perpetual drizzle, where clouds hide the moon and create an almost mystical setting. It&#8217;s during this time that Japan transforms—hydrangeas bloom in vibrant purples and blues, rice paddies shimmer with fresh water, and the air itself seems to carry stories of old.</p>
<div id="attachment_853" style="width: 790px" class="wp-caption alignnone"><img fetchpriority="high" decoding="async" aria-describedby="caption-attachment-853" class="wp-image-853 size-full" src="https://douyo-shouka.com/wp-content/uploads/2019/07/tsuyu.jpg" alt="tsuyu or baiu" width="780" height="585" srcset="https://douyo-shouka.com/wp-content/uploads/2019/07/tsuyu.jpg 780w, https://douyo-shouka.com/wp-content/uploads/2019/07/tsuyu-500x375.jpg 500w, https://douyo-shouka.com/wp-content/uploads/2019/07/tsuyu-300x225.jpg 300w, https://douyo-shouka.com/wp-content/uploads/2019/07/tsuyu-768x576.jpg 768w" sizes="(max-width: 780px) 100vw, 780px" /><p id="caption-attachment-853" class="wp-caption-text">tsuyu? baiu?</p></div>
<h2><span id="toc2">Why Does She Journey Alone on This Rainy Night?</span></h2>
<p>The song tells the mysterious tale of a woman traveling alone to her wedding on a cloudy night when the moon remains hidden behind thick clouds. But why does she make this important journey by herself? The lyrics don&#8217;t reveal the full story, leaving listeners to imagine the circumstances. Yet rather than depicting this as a tragic tale, the beautiful melody suggests a story of quiet determination and acceptance.</p>
<p>&nbsp;</p>
<p>This solitary journey speaks to something deeper about human resilience. The woman in the song isn&#8217;t portrayed as a victim of circumstance, but rather as someone who has found her own strength within the constraints of her time. The gentle, flowing melody mirrors the steady rain—persistent, inevitable, yet somehow comforting in its constancy.</p>
<p>&nbsp;</p>
<div id="attachment_855" style="width: 710px" class="wp-caption alignnone"><img decoding="async" aria-describedby="caption-attachment-855" class="wp-image-855 size-full" src="https://douyo-shouka.com/wp-content/uploads/2019/07/shinrinmensekiwariai.jpg" alt="" width="700" height="540" srcset="https://douyo-shouka.com/wp-content/uploads/2019/07/shinrinmensekiwariai.jpg 700w, https://douyo-shouka.com/wp-content/uploads/2019/07/shinrinmensekiwariai-500x386.jpg 500w, https://douyo-shouka.com/wp-content/uploads/2019/07/shinrinmensekiwariai-300x231.jpg 300w" sizes="(max-width: 700px) 100vw, 700px" /><p id="caption-attachment-855" class="wp-caption-text">※Source:worldbank.org (CC BY 4.0)</p></div>
<h2><span id="toc3">How Did Marriage Work in Old Japan?</span></h2>
<p>To understand this song&#8217;s deeper meaning, we need to look at historical context. In old Japan, it was common for women to marry into families where they&#8217;d never met their future husbands. With about 70% of the country covered in forests and limited agricultural land, it wasn&#8217;t unusual for brides to travel over mountains to neighboring villages for arranged marriages.</p>
<p>&nbsp;</p>
<p>The Japanese character for &#8220;bride&#8221; (嫁) beautifully illustrates this reality—it combines the characters for &#8220;woman&#8221; (女) and &#8220;house&#8221; (家), literally meaning &#8220;woman of the house.&#8221; Marriage was primarily seen as a union between households rather than individuals. In an agricultural society, the emphasis was on securing labor and ensuring the continuation of family lines through children. While this might seem harsh by today&#8217;s standards, it was the foundation upon which most families were built.</p>
<p><img decoding="async" class="alignnone wp-image-854 size-full" src="https://douyo-shouka.com/wp-content/uploads/2019/07/yome.jpg" alt="woman and house,bride" width="780" height="585" srcset="https://douyo-shouka.com/wp-content/uploads/2019/07/yome.jpg 780w, https://douyo-shouka.com/wp-content/uploads/2019/07/yome-500x375.jpg 500w, https://douyo-shouka.com/wp-content/uploads/2019/07/yome-300x225.jpg 300w, https://douyo-shouka.com/wp-content/uploads/2019/07/yome-768x576.jpg 768w" sizes="(max-width: 780px) 100vw, 780px" /></p>
<h2><span id="toc4">How Did Two Songs Become One Masterpiece?</span></h2>
<p>Here&#8217;s a fascinating detail about this beloved song: it wasn&#8217;t originally written as a single piece! &#8220;Amefuri Otsukisan&#8221; began as two separate songs. The first, with its memorable opening about rain and the moon, was so well-received that a sequel called &#8220;Kumo no Kage&#8221; (Shadow of the Clouds) was created to continue the story.</p>
<p>&nbsp;</p>
<p>When it came time to record the songs, composer NAKAYAMA Shimpei made the brilliant suggestion to combine both pieces into one cohesive work. This creative decision transformed two good songs into one masterpiece that flows seamlessly from the woman&#8217;s departure into the rainy night through to her journey&#8217;s end. The combined version creates a more complete narrative arc while maintaining the mysterious, contemplative mood that makes the song so captivating.</p>
<p>&nbsp;</p>
<p>Today, this combined version continues to be cherished and has earned its place among the &#8220;<a href="https://douyo-shouka.com/100-best-japanese-songs/">100 Best Japanese Songs</a>.&#8221; It stands as a testament to how sometimes the most profound stories emerge not from dramatic tragedy, but from quiet moments of human strength and the gentle persistence of rain on a summer night.</p>
</div>
</div>
<p>&nbsp;</p>
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