According to one prevalent theory, the rich and fascinating history of skiing in Japan can be traced back to the year 1895, which is approximately 130 years ago. It is said that a soldier named Toshitane Matsukawa, who served in the Japanese army, traveled to Scandinavia and was captivated by the local culture and the winter sports practiced there. Upon his return to Japan, he brought back with him a pair of skis, which marked the very beginning of skiing as a recreational activity in the country. This moment is often seen as a pivotal point in the introduction of skiing to Japan, laying the groundwork for what would become a beloved winter pastime.

長岡外史 – 投稿者自身による著作物, CC 表示-継承 3.0, リンクによる

About 75% of Japan’s land area is covered by mountains and hilly terrain.

Since that historic moment, the number of skiers in Japan has gradually but steadily increased over the years. The country’s diverse and mountainous terrain, coupled with its generous snowfall, has made skiing an appealing and accessible pastime for many. As more people discovered the joy of gliding down snowy slopes, ski resorts began to pop up across the nation, catering to both beginners and seasoned skiers alike. This growth in popularity has transformed skiing from a niche activity into a mainstream sport, enjoyed by families, friends, and individuals seeking adventure during the winter months.

The peak of skiing’s popularity in Japan occurred during the bubble economy of the 1980s. During this vibrant period, the number of skiers reached its highest level, leading to a surge in demand for ski resorts. Popular ski destinations experienced overwhelming crowds, with many skiers waiting in long lines for up to two hours just to access the lifts. This frenzy not only reflected the enthusiasm for skiing but also the economic prosperity of the time, where leisure activities were highly valued. The atmosphere at these ski resorts was electric, filled with laughter, excitement, and the joy of winter sports, making it a memorable era for skiing enthusiasts.

Many ski resorts in Japan are not just about skiing; they also offer a unique blend of winter sports and relaxation. A significant number of these resorts feature hot spring facilities, allowing guests to unwind and rejuvenate after a long day on the slopes. The experience of soaking in a steaming hot spring while surrounded by the beautiful snowy landscape is an integral part of the Japanese winter experience. After skiing, many people look forward to warming up in the hot springs, and some even venture out to enjoy the vibrant nightlife at nearby hot spring resorts. During these evenings, visitors can savor a variety of local delicacies that reflect the unique culinary traditions of each region, often accompanied by a glass of fine sake (Japanese rice wine). This combination of skiing, hot springs, and regional cuisine creates a harmonious winter retreat that attracts visitors from all over the country.

Japan is home to numerous ski resorts, particularly in regions known for their exceptional winter conditions. Hokkaido and Nagano Prefecture, both of which have hosted the Winter Olympics, are particularly famous for their world-class skiing facilities. These areas, along with the Tohoku and Jo-shinetsu regions, are bustling with activity during the winter months. Ski enthusiasts flock to these resorts to enjoy the pristine snow and well-maintained slopes. The atmosphere is lively, with families and friends coming together to create unforgettable memories on the slopes, making Japan a premier destination for winter sports lovers.

When the New Year arrives, this song is widely used in various television programs and is cherished by the Japanese people. However, it seems that many relate more to the bright melody, projecting hope for the new year, rather than delving into the meaning of the lyrics.

The first verse conveys the joy of celebrating the New Year in households, while the second verse juxtaposes the grandeur of the Emperor with the first sunrise. It evokes a nuance reminiscent of Japan’s national anthem, “Kimigayo”. This connection is quite apparent as both this song and “Kimigayo” were established in August 1893, with this song being presented as a Ministry of Education’s school song and “Kimigayo” being designated as a ceremonial music, suggesting a sibling-like relationship between them.

The lyricist, SENGE_Takatomi, held positions from Izumo-no-kuni-no-miyatsuko (an official responsible for the religious rituals and governance of Izumo Grand Shrine) to becoming a member of the Upper House, a member of the House of Peers, and the Governor of Tokyo Prefecture. He engaged in politics while being rooted in Shintoist ideology. Considering this, the content of the lyrics aligns well with his background. However, due to its highly dignified classical language, it appears that younger generations might lean towards appreciating the melody rather than the meaning. Moreover, the rhythm, possibly influenced by the classical language, might also have an impact.

Flow in edgewise – 撮影, CC 表示 3.0, リンクによる

Incidentally, I myself thought it was “Ichigatsu tsuitachi,” but the official name of the song is “Ichigatsu ichijitsu.

“Kisha” is a song about the joys of train travel.

Today, “kisha” generally refers to steam locomotives and is distinguished from “densha.”

By 影山 光洋(1907-1981,KAGEYAMA Kouyou) – 『日本国有鉄道百年写真史』P308, Public Domain, Link

The song is about the joy of changing scenery from the train window, but today’s children are so engrossed in games that they do not enjoy the scenery.

By the way, there are many railroad fans in Japan, called “Tetsu Ota,” who enjoy riding the trains, taking pictures, recording them, and so on.

Railroad fans are probably found all over the world, but in the case of Japan, I have the impression that the concentration is very strong. Perhaps it is because, as sung in this song, the scenery changes at a glance. Nearly 70% of the country is mountain forest, which means that only 30% of the land can be traveled by rail. The scenery of the train window changes quickly. Even if you are not a railroad fan, you will feel excited.

ディック – 投稿者自身による著作物, CC 表示-継承 4.0, リンクによる

In this sense, the town of Hirono in Fukushima Prefecture is introduced as the setting of the lyrics because of the “Hironohara” part of the lyrics, but the popular theory seems to be that it is just a large field to sing about.

The 100 Best Japanese Songs.

Hana: The Melody of Japanese Spring

Many people may remember this song when they think of spring scenery in Japan.

The melody, filled with the joy of the arrival of spring after winter, shines like the surface of the river in the sunlight, and the lyrics, which describe the unique beauty of the cherry blossom scenery, match perfectly, making this song the standard for spring in Japan.

The Historic Sumida River and Its Cherry Blossoms

The Sumida River flows through the east of Tokyo, passing the Tokyo Sky Tree and Asakusa before emptying into Tokyo Bay.
The cherry trees sung as flowers in this song are planted mainly along the riverbanks (botei) of the Sumida River from Azuma Bridge to Sakura Bridge, and are called “Senbonzakura (a thousand cherry trees) on the Sumida River.

sumidatei no hanami / KOBAYASHI,Kiyochika

From Edo-Period Flood Control to Modern Hanami Celebrations

It is said that the cherry trees were originally planted by the 8th Tokugawa shogun, Yoshimune, for flood control, and the purpose was for people to gather and trample on the embankment.

Even today, the area is crowded with people during the cherry blossom season, and instead of boats sung with “oar drops,” pleasure boats designed by Matsumoto Leiji, a manga artist known for “Galaxy Express 999” and “Space Pirate Captain Harlock,” come and go, and people enjoy cherry blossom viewing drinks from morning until late at night.

ヒミコ | 【公式】東京都観光汽船（TOKYO CRUISE）

漫画・アニメ界の巨匠・松本零士氏がデザイン。宇宙船のような「ヒミコ」は、「ティアドロップ（涙滴）」をイメージ・コンセプトに、「子供たちが乗ってみたいと思ってくれる船」として、デザインを手がけられました。船内では「銀河鉄道999」のキャラクタ...

www.suijobus.co.jp

Cultural Legacy: From Edo to Present Day

It is a spring event that brings the atmosphere of the Edo period to life.

In summer, the Sumida River Fireworks Festival attracts many people. The “Tamaya” and “Kagiya” are the trade name of a popular fireworks masters in Edo (present-day Tokyo). Kagiya still exists today.

Sumida River Fireworks Festival

The composer of this piece, TAKI Rentarou, went to Germany to study as a music student, but returned to Japan with tuberculosis and died at the young age of 25. His aspiration “for the development of high quality Japanese songs” continues to shine through the ages.

Around late spring to early summer, May 5th is “Children’s Day” in Japan.

In contrast to “Momo-no Sekku” held on March 3rd for girls, a ceremony celebrating the growth of boys is conducted nationwide as “Tango-no Sekku.”

A carp climbs a waterfall and becomes a dragon

Inspired by the Chinese tale of “Carp Climbing the Dragon’s Gate,” where a carp that successfully ascends 100 waterfalls transforms into a dragon, carp streamers are erected on the eaves of houses with boys, symbolizing the wish for boys to grow into admirable men by overcoming hardships. Inside the house, decorations such as helmets and armor are displayed, and it’s customary for boys to bathe in water adorned with iris leaves resembling swords, called “shoubu,” a homonym for “victory.”

Tango no sekku

These lyrics were written over a century ago during the early Taisho period as a Ministry of Education song (meaning they were anonymous). Therefore, the authorship of both lyrics and music remained unknown for a long time. It wasn’t until later when HIROTA Ryuutarou reportedly told SATOU Hachirou, “I composed this song,” that it became attributed to HIROTA Ryuutarou.

While the language may be somewhat archaic for children, as adults celebrating their own children, one truly comes to appreciate the dignified, brave, and wonderful nature of this song.

▼Another ‘Koinobori’ song.

Koinobori / Yaneyoritakai (1931) - こいのぼり

"yaneyori takai koinobori" Discover good old-fashioned Japan through lyrics and images: Roman readings, English translations, and reflections. Take a cultural journey through the melodies of "Doyo Shoka" (Children's Songs).

douyo-shouka.com

2025.05.02

The song titled “The Village Blacksmith” was sung until the late Showa era, long after the profession of blacksmithing had ceased to be a part of everyday life.

663highland – 投稿者自身による著作物, CC 表示 2.5, リンクによる

The reason for this persistence isn’t entirely clear, but perhaps the song’s lively rhythm was deemed fitting for children’s musical education.

Though the lyrics depict the blacksmith as someone who forges plows and hoes as agricultural tools, originally, the roots of blacksmithing were likely tied to swordsmithing. Japan has traditionally had a culture centered around blades, evident even in the popular anime “Demon Slayer,(Kimetsu no yaiba)” showcasing the pride associated with crafting the katana and wakizashi, swords worn at the waist of the samurai, the highest social class during the Sengoku period.

With the end of the samurai era and further declines due to mechanization, the demand for plows and hoes as agricultural tools drastically decreased. However, a few blacksmiths still remain scattered throughout Japan, supporting local farmers to this day. Moreover, the “art of blade-making” has also been an integral part of supporting Japanese culinary culture.

The song conveys the exuberance of children riding the train. It is very popular because of its very cheerful and joyful tune.

Originally, however, it was the soldiers who rode the train. The original version of this song, “Soldier’s Train,” was written in 1937 to see off soldiers heading off to war.

By Unknown author – http://www.pref.okayama.jp/hoken/hohuku/engo/photo/seikatu6-20.htm (adjusted by uploader), Public Domain, Link

In 1945, the year the war ended, the song was chosen to be sung in NHK radio’s New Year’s Eve special program “Kouhaku Ongaku Shiai (Kouhaku Music Contest),” and some of the lyrics were changed and reworked as a song for traveling children appropriate for the era of peace.

The lyricist, FUHARA Kaoru, was born in Gotemba City, Shizuoka Prefecture, at the foot of Mt. Gotemba was the site of an army training ground at the time, and it is said that he and his students often saw off soldiers who were going off to war.

The melody is said to have been inspired by Schubert’s “Military March.

100 Best Japanese Songs

Gratitude for the Harvest and Prayers for the Coming Year

Muramatsuri is a vital community event held in autumn across various regions of Japan, primarily conducted to thank the gods of the land for a good harvest of agriculture (mainly rice cultivation) and to pray for a bountiful harvest in the following year. This festival is not merely a regional event, but serves as a sacred ritual that expresses deep respect for nature’s bounty and confirms the spiritual connection with the gods. In agricultural villages welcoming the harvest season, it becomes a precious time to celebrate the fruits of a year’s labor together with the gods and express heartfelt gratitude.

Autumn Festival at Emishu-guu, Tenmangu Shrine in Shikama Ward, Himeji City ( Hyougo Prefecture)

Coexistence with the Eight Million Gods

Japanese gods are called Yaoyorozu no Kami (The gods dwell everywhere.), and they are believed to dwell in various places throughout our lives: rice paddies, fields, mountains, oceans, kamado (places where fire is handled), and countless other locations. Although usually invisible to the eye, people invite these gods into their homes and communities, holding festivals to show their appreciation. This worldview reflects the ancient Japanese belief that sacred power resides in all aspects of the natural world, a concept that continues to resonate in many people’s hearts even today.
Despite influences from foreign religions such as Buddhism and Christianity, Japan has never lost its reverence for the Shinto belief in the yaoyorozu no kami. Furthermore, even in the 21st century, we can observe how animistic culture continues to blend seamlessly with Japan’s high-tech orientation. This phenomenon can be attributed to Japan’s cultural diversity, inclusiveness, and deep sense of coexistence with nature.

Dousojin ( traveler’s guardian deity )

Shinto’s View of Nature and Its Modern Legacy

Shintoism has long been rooted in the worship of nature and the veneration of ancestors, maintaining animistic beliefs that gods reside in mountains, rivers, trees, and other elements of nature. This deep connection with daily life and local communities allowed Shinto to coexist harmoniously with foreign religions. For instance, when Buddhism arrived in the 6th century, instead of conflicting with Shinto, it merged to create a unique religious tradition called shinbutsu-shuugou (syncretism of Shinto and Buddhism), which shaped Japan’s distinctive spiritual landscape.
Even in the 21st century, this animistic worldview remains deeply embedded in Japanese culture, naturally blending with modern technology and subculture. The prevalence of anime and video games featuring themes of spirits and the power of nature reflects Shintoist values, demonstrating that the belief in spirits residing in natural objects continues to be part of people’s daily lives.

By Indiana jo – Own work, CC BY-SA 4.0, Link

Embraced by the Festival’s Melodies

During the festivals, people sing, dance, and enjoy themselves with the gods using traditional instruments: the fue (flute) and taiko (drums). The powerful “don” sound of the drums and the beautiful “hyarara” melody of the flutes resonate throughout the village, creating a sacred atmosphere. These traditional instrumental sounds play a crucial role in welcoming the gods and expressing gratitude, while also uniting the hearts of all participants.

After the autumn festival concludes, the villagers begin preparing for winter. The festival represents Japanese wisdom of living in harmony with natural rhythms, marking the seasonal transitions and maintaining awareness of nature’s cycles.

Tsuchiura City Yasaka Festival (Ibaraki Prefecture) , By NU-Xs – Own work, CC BY-SA 4.0, Link